"My response to the “I am not a feminist” internet phenomenon….

First of all, it’s clear you don’t know what feminism is. But I’m not going to explain it to you. You can google it. To quote an old friend, “I’m not the feminist babysitter.”

But here is what I think you should know.

You’re insulting every woman who was forcibly restrained in a jail cell with a feeding tube down her throat for your right to vote, less than 100 years ago.

You’re degrading every woman who has accessed a rape crisis center, which wouldn’t exist without the feminist movement.

You’re undermining every woman who fought to make marital rape a crime (it was legal until 1993).

You’re spitting on the legacy of every woman who fought for women to be allowed to own property (1848). For the abolition of slavery and the rise of the labor union. For the right to divorce. For women to be allowed to have access to birth control (Comstock laws). For middle and upper class women to be allowed to work outside the home (poor women have always worked outside the home). To make domestic violence a crime in the US (It is very much legal in many parts of the world). To make workplace sexual harassment a crime.

In short, you know not what you speak of. You reap the rewards of these women’s sacrifices every day of your life. When you grin with your cutsey sign about how you’re not a feminist, you ignorantly spit on the sacred struggle of the past 200 years. You bite the hand that has fed you freedom, safety, and a voice.

In short, kiss my ass, you ignorant little jerks.”

—    

Libby Anne (via coachk13)

YES THIS A THOUSAND TIMES THIS.

(via spanglemaker9)

(via idontlikeyourcat)

somethingofawolf:

sun0fagun:

The Psychology of Cinematography: 

Wes Anderson, David Fincher, Darren Aronofsky, Quentin Tarantino & Stanley Kubrick

These are all shots where the emphasis is on the entirety of the shot as a whole and provides a much more distant kind of view, allowing the goings on to register as it is instead of having a specific cinematic mood attached. 

I’ve never heard anyone say not to try for symmetry in your shots, but I was told to be aware of the psychological effect it has on audiences. This little reel is a prime example of how off-putting symmetry can be in motion picture photography. Even in the ones in which there is no immediate danger or horror present. You feel like there’s something wrong in every one of these shots. You can’t put your finger on it, but you know things aren’t quite right. The psychology of symmetry is used whenever a filmmaker wants to put an audience at unease. Which, as you can see, was often.

This concept can be applied to many other concepts and styles of cinematography such as  Look down, look up, Hiphop cuts, mood lighting etc. 

These are some of my favorite examples cinematography put in a gif set. 

Perfection

(via quaartz)